KCBX News - Benjamin Purper, News Director Head of Roses, her first solo album as Flock of Dimes, covers musical territory from celebratory pop-tinged anthems to smoky night themes, all threaded with nostalgia for a past that may never have happened. Jenn Wasner has collaborated with other artists in several projects, including Wye Oak. He’s said the recent birth of his second child and a move to the country have brought out a more playful side, heard on “Swing” and “Honey Honey.” He sings in three languages on this album: English, Swedish, and his native Spanish. José Gonzales’s first release in several years, Local Valley delivers on his brand of metaphysical meditations (“El Invento”) and the propulsive rhythms of his acoustic guitar (“Head On”).
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Finally, the genius that went into ordering the tracks becomes evident on repeated listening of the full-length CD, covering the full arc of the heroine’s journey.
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You’ll be immediately blown away by the shimmering three-part harmonies, then you’ll stay for the lyrics that explore female powerlessness, and how to reclaim that power - all told in anecdotes, rather than sermons. There are so many levels to The Staves’ newest release, Good Woman. The album is full of such contrasts, as when crunchy percussion spontaneously breaks into a sun-drenched chorus on “Garden of Eden.” She’ll leave us swooning with the luscious, languid “Liquid Love,” then turn menacing on tracks like “Human Replacement.” Marten isn’t afraid to experiment. There’s a photo of an impossibly young and fresh Isabella Sophie Tweddle (who performs as Billie Marten) beaming angelically, with a face full of what looks like fresh playground dirt. It’s hard to know what to expect from looking at the cover of Flora Fauna, Billie Marten’s third full-length album.
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For an online bonus, you can view Songs of Earth and Sky, a documentary series following Faccini’s creative process during the making of the album. Collaborators on this album include Ballake Sissoko, Vincent Segal, Ben Harper, and Rokia Traore. In 2004 it finished at number 48 in AFI's 100 Years.100 Songs survey of top tunes in American cinema.Piers Faccini, who lives in the Cévennes mountain region of France, pulls together influences and musicians from Europe, Africa and the Near East in his muscular, evocative masterpiece, Shapes of the Fall. It was the third Oscar in this category for Livingston and Evans, who previously won in 19. The song in The Man Who Knew Too Much received the 1956 Academy Award for Best Original Song.
It came to be known as Day's signature song. " Day's recording of the song for Columbia Records made it to number two on the Billboard Hot 100 and number one in the UK Singles Chart. The four verses of the song progress through the life of the narrator-from childhood, through young adulthood and falling in love, to parenthood-and each asks "What will I be?" or "What lies ahead?" The chorus repeats the answer: "What will be, will be.
Doris Day introduced it in the Alfred Hitchcock film The Man Who Knew Too Much (1956), singing it as a cue to their onscreen kidnapped son. "Que Sera, Sera (Whatever Will Be, Will Be)" is a song written by the team of Jay Livingston and Ray Evans that was first published in 1956. About Que Sera, Sera (Whatever Will Be, Will Be)
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